In both style and writing, incredibly similar to Shoowa's "Non Tea Room" (http://www.mangago.me/read-manga/non_tea_room/), which is also about a love triangle where all participants are hiding more than they are revealing (and where some of the participants are in a band!). Here, Miki's childhood friend Keisuke introduces Miki to his current crush: a kouhai named Chiba. Miki, who has had a crush on Keisuke for a while, sublimates his feelings into seducing Chiba. What he doesn't expect is for Chiba to 1) fall hard for Miki and 2) to decipher Miki's real feelings about Keisuke. All the characters end up finding themselves torn between selfishness and their better selves: Miki wants to make things work with Chiba (who he sees as the epitome of everything he'll never be -- earnest and cute and a good kid) but can't seem to really commit, Chiba lets his doubts about Miki's feelings (which are well-founded!) inspire him to put Miki and Keisuke's friendship in danger, and Keisuke doesn't know how to prioritze his crush on Chiba and his friendship with Miki.
There's a woodness to the placement and body language in the art, but in some areas the construction really shines. Chapter 2 is a particular stand-out: the bookends of "you sure are loved," the speech bubbles of Chiba and Miki as they talk about first names, the thread that goes from Miki's monologue to Keisuke's childhood memories. Despite Furutsuji's lack of titles to her name, there's a deftness to the characterization and writing. Keisuke feels straight despite his crush on Chiba, and he plays "straight, devoted friend" to Miki in a way that makes their friendship real, fleshed out with concrete, unique details that many other manga forget to add. Miki is the more experienced of the three, and starts off the story with a wicked streak, but he has a vulnerability that draw you to him like it must have drawn Keisuke. It's not that he's helpless, but you can tell when he's going to make a bad decision or let a bad decision be made on him. And Chiba toes the line of victim and victimizing. I don't buy the other readers' comments that sympathize with Chiba, who was, it's true, used by Miki in the beginning. Miki puts in a good faith effort to make right by Chiba's feelings. It's Chiba who uses Miki in the end, and I think his exit from the story is both poignant and fitting. He's not villanized, but Furutsuji doesn't want to vindicate him either.
In the end, it's a story that feels really modern and young, but not immature. The resolution is kind to everyone, even Chiba, who has friends that will pull him out of his heartbreak, just as Keisuke is there for Miki's heartbreaks. A solid read all around.
Orutana