Okay, so same problem a lot of stories have, which is unsatisfaction. Either through not being long enough or just not hitting a desired point of cohesion and harmony.
But I LOVED the dynamic between the seme learning from the uke and apologising for his mistakes the moment he understood them. Also liked the uke for being understanding, supportive, quick to act and move shit forward, and for also being so damn just OKAY with the gay thing. He also confessed at the end despite having treated the Seme and his feelings with respect the whole time.
Also the Seme's backstory was quickly revealed and wasn't too shocking, so it felt cohesive with the plot. It would have been better if they'd have done something about the mother in his backstory. If they'd have made it clearer how much his life changed after she treated him like that, to actually connect that history to the character he was shown as now, it would have felt less out of place to have his backstory revealed. Or they could have omitted it at all, tbh, it suddenly just felt like a completely different tone in the story.
Wasn't depressing. The relationship had their surprising and possessive moments, which felt sudden, but therefore didn't overtake the whole plot with their tone, I guess.
Anyway. Okay for a rr.
Kizutsukenai de ne