I Thot You Was a Toad's manga / #revenge(5)

Ogeretsu Tanaka is becoming one of my favourite mangakas for her beautiful artwork and character-centered stories. Here, the main character is toxic — bitter about his time in high school, and particularly, toward Natsuo, a 'hoodlum' who seemed to thrive on tormenting him — and his unfortunate target is ... Natsuo, a simplistic and inept young man with few social graces. It's brilliant set-up: make Natsuo fall in love with him, and then dump him in the most humiliating manner possible. Except he doesn't count on Natsuo being quite loveable in his own inept and dorky fashion. (2) The second story is a spin-off of Sabita Yoru Demo Koi wa Sasayaku, Ogeretsu Tanaka's amazing manga about partner abuse, and what happened to Ken, the abuser, after his relationship was over. At times awkward and fumbling, other times adept and hot as hell, this story is a believable testament to vulnerability and the healing power of love.

Satoru is being stalked and, when he reunites, during a casual sexual encounter, with the former chubby boy, Hosokawa, whom he used to bully in school, and discovers that Hosokawa feels entitled to sex and respect, he assumes that Hosokawa is the stalker. But is he? It seems that Satoru attracts stalkers.

Tamaquis Wren specializes in yaoi where the uke surrenders himself to love so much, he gives up his own dignity. Dignity is reinstated by love returned, a classic romance trope. This story is hardcore, however, for, instead of love, the sole motivation is vengeance, and there is no surrender, just rage-fueled detachment and dissociation. To extract the cruelest revenge he can, Yan, the son of a murdered king, becomes the favourite catamite in the court of the Chinese Emperor who committed regicide against Yan's beloved father. Bent on destroying his enemies and slowly debauching the Emperor past his body's capacity for tolerance, the only revenge Yan can extract is what he has, himself, endured. In the end, in spite of page after page of strangely utilitarian sex and seduction with child rape, gang rape, slavery, sex cults, drugs, felching, castration, BDSM, odd sex toys, vegetable-slicing(!) and a huge and surprising reveal right at the end, the story is empty and cold, just like Yan. Weirdly, it's the court intrigue and politics that move it beyond mere shota wish-fulfilment smut fantasy and redeem it (for me; I can't abide child rape), transforming it into Wren's best work. It isn't romantic at all and, for once, Wren doesn't pretend that soul-crushing depravity and oppression are romantic. Wren's drawings are distinctive and stylized, but here they focus on lips, hair, eyes, skin and a boy whose naked body is modified to look like a young woman's. Everyone else is nameless, fully dressed and, either a wild-eyed and lust-maddened rapist, or a fellow scheming manipulator — distorted through the lens of obsession. Yan is an interesting character who gains his individual freedom, revenge and personal power, although nothing else — certainly not love.

Standard rape-love trope where the victim conquers the abuser by opening his heart.

Kazuomi, a dark figure from part-time teacher, Shuuji's, past, shows up to exact revenge for a violent incident that Shuuji blocked from his memories. He forces his way with Shuuji using blackmail and overpowering him physically, but the story turns on Shuuji's genuine contrition and desire for atonement. An emotional soap opera that starts off with fury and betrayal, and ends gently.