SEOLHO YOU FUCKED EVERYTHING UP AND IT'S NOT JUST YOUR SORRY ASS THAT WILL PAY THE PRICE, EVERYONE IN THE ORGANIZATION AND MAYBE EVEN THE INNOCENT OLD PEOPLE ARE GONNA DIE. YOUR PINING FOR THE BOSS WILL STOP BC YALL WILL BE FUCKED BC OF YOUR IMPUDENCE
if i finally got to know the man of my dreams, was incredibly attracted to him and his personality was just the best, and then we kept in contact so my feelings deepened beyond repair... i'd feel so betrayed, humiliated, disappointed, disgusted, self-conscious and embarassed after finding out i'd been catfished by him and his best friend, that i'd be carrying that shit for the rest of my life, probably having trust issues and a good portion of misandry.
exactly all od this!
it was super rushed and made the entire journey go from 8/10 to 4.5/10. it also feels cut off suddenly, like there could have been much more to flesh out, or like a lot of things that got introduced are dropped and forgotten now.
but hey, it could have been worse.
that seme is sus af... he's giving me color-recipe-seme vibes. i bet he is the possessive kind that likes to manipulate things to turn out exactly the way he wants, with the uke dependent on him and clinging onto him for support (even though he is the one responsible for the dilemma). bet the murder came very conveniently, he got rid of a rival and can now play hero.
report this comic for giving us false hope that there really might be guys out there who will fight for your love and not give up on you no matter what
Girl haven't ya heard of Jesus Christ
Idk why I'm wheezing-
Lmao
... I've got news for you
PLEASE SPILL
it feels like there are panels or whole chapters missing that would explain why they are behaving the way they are behaving with each other. and time skips or flashbacks are not signalled in any way, so you just jump from one place to another, have one person there and then another one instead, etc. i genuinely have no idea what is happening.
i love how the creator keeps the story going by incorporating new characters organically and then giving us more insight into their lives and troubles. it all feels connected and natural, and that is praiseworthy. when you manage to make side characters not just crutches for main characters but unique and driven enough to be main characters with an own story to them, you know you're a good writer.
1. i love the little boy. if i had a son, i'd want him to be as sweet as him, and i'd give the world to him.
2. i really hope this is a romance between two country bumpkins building a life together, not a rich prince saving the poor damsel in distress with his wealth.