
I love FT, and early development of FT100 YQ was actually great. Until it wasn’t. Now it feels repetitive, and it’s more evident because of the shortened chapters each release.

Yes. FT has so much potential, they’ve got an unlimited amount of characters. Especially with villains.
We keep on having new villains after new ones and after a while they feel paper-ish.
“Okay, new bad guy. Super OP that they’re able to defeat our main characters. Suddenly they discover the enemies’ weaknesses and with the power of friendship. ‘You’re wrong. I’m nothing like you. My power comes from my friends.’”
And boom. The villains are defeated.
I wish they flesh out these villains as full flesh characters who are interesting.
The only memorable villains were the earlier ones. The Diabolos guild and the Dragon Gods.
These newer ones have zero substances that I forget who they are.

Genuine WTF moment. No wonder the son raped his dad, well— his father figure. The mother tamed the father to be that way, and encouraged the son to continue the legacy of ‘taming’ the father which is fucked up.
But, because the father acted the way that he did, it actually ignited something inside the son, which he tried to not become. But the constant actions from both the mother and father drove him insane.

The writing has been so smooth and rational (?) like, inserting the blackmail over the dad attempting murder scene, and then the flashbacks of how the wife and the husband treated and viewed each other which resulted in their actions toward their son to grow fucked up.
Like, for the fucking cesspool that it is, the plot is well— decent so far. Considering the logical scenes that happened like the son having to discontinue being a guardian, sometimes other writers forget to include such small details but details like this add depth to the story.
It’s fucked up but, impressive, not super impressive but decently impressive.
But I also am getting this eerie vibe from him. I think he needs counseling and therapy. The constant mood swings.
He admitted to breaking the boiler just so he could get the bottom to come to his house. That’s a sign of an early red flag. The settings are cute because the atmosphere was designed cutely, but I kid you not if another artist redraw this to have a horror setting.
“Ah… I couldn’t call you, I didn’t know how to get your contact. So I broke this boiler and hurt myself in the process.” = sounds like how obsessive and how far the top will go to get the bottom.
Even the “don’t leave me, I can’t live without you.” Sounds suicidal.
If the bottom ever breaks up with him, I can imagine the top turning into full red flag or even black flag and trapping the bottom just so he won’t be able to leave. “Now you can’t leave me. Cause I need you.”
Or, something like “I’ll kill myself if you break up with me.”
Of course, I’m not saying the story isn’t cute. But the top needs major counseling. He’s a bit too clingy and kinda emotionally manipulative.
Other than that, it was a cute story. I’m just scared of the top. That kind of top might do the unthinkable.