It was a difficult watch, to be honest. It’s not for the faint of heart. I actually waited until it was complete before diving into it because I knew if it ended in tragedy, I wouldn’t be able to handle it. I didn’t want it to leave a mark. But even with its happy ending, it still managed to leave an impression.
I remember reading a comment about this story a while ago. Someone mentioned that the depiction of sexual abuse didn’t feel realistic and came across as almost romanticized. I don’t believe the author’s intention was to romanticize such a horrific experience. Instead, it feels like an artistic choice—to present the abuse in a way that allowed us, as readers, to endure it, and, in a strange way, to even appreciate the story as a whole, including its darkest moments. And, honestly, I think it worked.
As for the claim that it wasn’t realistic: well, of course. In reality, careers like the one portrayed in the story are often far worse, far grittier, and rarely as high-end as the protagonist’s journey. And people in those situations rarely, if ever, get a happy ending.
Here’s a polished version of your text with enhanced clarity and flow:
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It was a difficult watch, to be honest. It’s not for the faint of heart. I actually waited until it was complete before diving into it because I knew if it ended in tragedy, I wouldn’t be able to handle it. I didn’t want it to leave a mark. But even with its happy ending, it still managed to leave an impression.
I remember reading a comment about this story a while ago. Someone mentioned that the depiction of sexual abuse didn’t feel realistic and came across as almost romanticized. I don’t believe the author’s intention was to romanticize such a horrific experience. Instead, it feels like an artistic choice—to present the abuse in a way that allowed us, as readers, to endure it, and, in a strange way, to even appreciate the story as a whole, including its darkest moments. And, honestly, I think it worked.
As for the claim that it wasn’t realistic: well, of course. In reality, careers like the one portrayed in the story are often far worse, far grittier, and rarely as high-end as the protagonist’s journey. And people in those situations rarely, if ever, get a happy ending.
Now that the side story is completed, I feel kind of disappointed because it feels like we never got to know Jae-Hyeok better. He was a mystery, and he stayed a mystery. I wish there had been a short POV of his thought process regarding his feelings towards Seo Yeon-Oh.
Don't get me wrong, i'm not here to complain, more like to see if anyone feels the same way haha
Totally, their relationship feels kind of generic right now. At first, it seemed like we didn’t know much about Jae-Hyeok, and it felt like there was gonna be some big reveal or a POV from him so we could actually understand him better. But without that, the whole relationship and all the romantic moments feel a bit empty, like they just came out of nowhere.
Am I the only one who thinks this is a rip-off of Shutline? Uke looks like Shingun and their personalities are very alike, the dynamic is similar, and there's the whole "contract" thing and USA setting too. Not hating, as it's not that bad, but I wish there were stories with more original plotlines.
So far, Jake is far more complex than Aaron and I feel like Jake respects Shin more than Aaron respects Yujin. I also think Jake/Shin have a lot more chemistry than Aaron/Yujin. I can definitely see if the author of Flashlight is trying to emulate Shutline but their writing skills aren't quite on par.
For all the ChihayaxArata shippers, don't be too disappointed, the ending is a kinda open ended, knowing that Taichi is in Kyoto and Arata is back in Tokyo and it doesn't feel like has given up completely. Life is long and full of possibilities.
Tho me being Chihaya x Taichi shipper i hope they last lol