
I was triggered by the fake update so I decided to read spoilers. I'm not gonna reveal major ones but there is some sort of bad news. Scroll down.
It seems that recent regulation or censorship law in japan got in the way of the erotica. Either the sex parts were reduced or it wasn't as graphic as yamane sensei wanted it. It's probably the latter. But traces of Asami's D is good enough than nothing lol. Can't wait for June 2017. Let's buy it.

I have to admit the ero level of Viewefinder became less and less and less...but I also have to admit the story bcm more and more interesting.
I almost forget that it used to be a super erotic yaoi manga ⁄(⁄ ⁄·⁄ω⁄·⁄ ⁄)⁄ (or should I say....porn with plot yaoi manga?)
Psst : Vol 8 is not like Yaoi manga anymore..for me ( ̄∇ ̄")

And then this thought occurred ... https://www.google.ca/search?q=no+pants+subway+ride&tbm=isch&imgil=lNBzrqKGiZTNbM%253A%253BU-tneis-6zj1lM%253B http%25253A%25252F%25252Fwww.telegraph.co.uk%25252Fnews%25252Fpicturegalleries%25252Fhowaboutthat%25252F12091905%25252FThe-2016-No-Pants-Subway-Ride.-Dont-panic.-We-mean-trousers.html&source=iu&pf=m&fir=lNBzrqKGiZTNbM%253A%252CU-tneis-6zj1lM%252C_&usg=__WE-a2DzzxD38aBiWrvgfPIl8bJI%3D&biw=1095&bih=727&dpr=0.9&ved=0ahUKEwiFovHsj_XOAhXJ6IMKHTtuD7oQyjcIRQ&ei=ZsTLV4XXO8nRjwS73L3QCw#imgrc=E-KgQSXPYPD3nM%3A

Porn was first seriously restricted in Japan in the Meiji Era, when materials deemed “injurious to public morals” were banned, thanks to the introduction of Victorian morals from the West. When American authorities changed many of Japan's laws, they did not see fit to change the pre-existing ones about pornography.
And they probably worsened it, seeing as at the time it was very vaguely saying "obscene" and since then it's been associated with genitals. Traditionally Japanese are not prudish to nakedness, which shocked American sensitivities to the degree that the Japanese government bent backwards trying to accommodate them.
So they're just stuck there. Well, 20 years ago pubic hair was still censored, so there's that.
You can bet most Japanese think it's dumb nowadays, but it's just not going to change anytime soon. But of course magazines want to push the boundaries, so white gaps and whatnot it is (depends on the author anyway, each have their own way of self-censoring).

As for the "ero level", in Finder's 15th anniversary interview a few months ago, she said: I hope to get my pace back on track, and I also want to draw more erotic scenes so that the manga will be more interesting (Haha). With this being a serial manga, there are chapters where there's no erotic scenes at all due to the flow of the story, but when possible, I try to put in a lot (Haha)".
So yeah, I guess she will be trying to put in more than there has been in the last few years.

Do you know if there is a full translation of that interview?

Oh--that's not exactly what I was thinking, but it will do.
BTW, did you know that in the UK and other places "pants" can mean panties? I have a friend who uses it as a pejorative term. When she doesn't like something, she says, "That's pants!" For a long time, I thought she was just too nice to use the word "shit." Since I wasn't 100% sure how the Canadians were about "pants" (though I think most go with the US on this one), I imaged men without anything, swinging happily in the breeze (uncensored, but perhaps subject to shrinkage).

Public nudity in Jpn, the Jpn. in general have had a love hate relationship with this subject. having little to do with outside influence. It was always an issue of class. during the Meji and edo times it was nothing to see the lower classes working in the fields with the lower bodies exposed. The upper classes were always covered. Same sexes bathed together in public baths. the rich had private baths. You told a person's class by how covered they were. Jpn. is a conservative country despite what the manga may show. They always have been. The way that people where dressing back then had to do with the way they worked, cost of clothes, not sexual freedom. As for the American influ. at most they went West. dress and technology. their conservative views is deeply ingrained with their Shinto beliefs sys.

Thanks Nnene. I thought it was something like that. The US is traditionally very prudish (well parts of it) and around WWII it was thought important to protect the "morals" of our young soldiers. Sure, we can get the young killed, but we don't want them exposed to sex (officially, at that time). Soldiers had sex, of course, (and some were rapists) but officially, the party line was that sex was for marriage. I'm sure such attitudes carried over in the post-war period.

Public nudity and sexual freedom are indeed not the same :). The public nudity (such as unisex bath houses with the whole family going being the norm, public toplessness being considered acceptable etc. pre-WWII US occupation) was enough though to shock the Allies, causing "General Douglas MacArthur to require women to cover their breasts and banning pornography that contained close-up shots of genitalia."
In any case, I was talking about censorship in porn on a legal level, here's in a nutshell if how I formulated it was too confusing:
"Contemporary censorship in Japan dates to the Meiji period. The influence of European Victorian culture was a catalyst for legislative interest in public sexual mores. Post-WWII, the Allies imposed a number of reforms on the Japanese government including anti-censorship laws. The legal proscriptions against pornography, therefore, derive from the nation’s penal code.
At present, “obscenity” is still prohibited. How this term is interpreted has not remained constant. While exposed genitalia (and until recently pubic hair) are illegal, the diversity of permissible sexual acts is now wide compared with other liberal democracies."

My parents home country is much less conservative - (Denmark) For instance many beach goers go nude, topless women are featured in the daily newspaper and porn is available widely - and surprisingly there are statistically fewer sex crimes committed than in places like the US ... perhaps the 'freedom' is a factor?

Maybe--but when comparing raw numbers, keep in mind how big the US is and that the whole country is not NYC. Sometimes Hollywood and TV make it seem like the whole country is either NYC or LA. In the US, there are higher rates of sexual assaults (and crime in general) in big cities than there are in the relatively prudish small towns and rural areas. But then again, how could we know to correct for unreported rapes in areas where the survivors would not want people to know what happened?
In an age here almost everyone has access to the Internet, I'm not sure I buy into the idea that rapes occur from sexual repression. I think it's about power.

Oh, for sure - the stats I read though indicate that 6.4 (Denmark) to 27.3 (US) - and Denmark is mostly small towns - but they seem to be a lot less conservative than the US. This stat - for Denmark is considered pretty high, but they have a broader definition of sexual violence than some,
Rape is about power - for sure - but access to a sexual outlet is a factor - and prostitution was decriminalized in Denmark in 1999, so that may help a little? I am no expert her, just read a paper on crime rates in Denmark ...

Yes. I read Demark has higher sex crime statistics than the rest of Europe, but who knows how the count is made? The US has a lot of big cities--and the big cities have more sex crime and more prostitution (though it's illegal). Who can say for sure? The US also sometimes has this weird thing where they like to blame black men for rape, though statistically that's crap (some do, but no more than any other race). There are all sorts of weird cultural and subcultural biases playing out when it comes to sex crimes.
But for what it's worth, I think it's unhealthy to always sexualize naked or nude bodies for other reasons. For example, some people in the US can't handle seeing breastfeeding. Heaven forfend a baby get nourishment from what is marketed as sexual objects. It's like in Victorian times when people freaked out about a woman's ankle showing. It's just boobies. Get over it.

There is less racial diversity in Denmark - though that is slowly changing ... so the majority of rapes there is by white males (My dad had never seen a person of any colour other than white until he was 20! He is also kind of racist - perhaps due to lack of exposure in his youth) The funniest thing about theft rates in Denmark? Most revolve around stealing bikes - mind you that is a main transport vehicle there LOL
Yes! I would rather see a woman breastfeeding than showing off ample cleavage, men seem to forget that the primary function of breasts is for feeding children, secondary is as sexual differentiation and third for sexual attraction, but men are free to show off their 'breasts' (and some men need a bra for those puppies!)

Yes, there is, Anon. A scanlation group on LJ translated the full interview and did a really fine job with it. It was quite lengthy, too, and very interesting.
One of the question the interviewer asked was that according to an inside story Fei was kept alive in the Finder series thanks to the readers. She didn't confirm or deny it but said that "the readers were so very fond of him" and that she herself also "developed a strong attraction for him while drawing the conflict between him and Asami". She said that "Fei's mixed feelings of hatred and adoration for Asami really drew me in".
She also talked in length about how tough it was for her in the beginning when she had just one room and a kitchen in her flat. Her three assistants would work with her in that one tiny room and sit on the bed, working, while sensei was working at the desk. At one time, she woke up lying under the desk while her three assistants had fallen asleep on her bed! She eventually got a somewhat bigger apartment with one room more so that the assistants at least have a place to sleep.
One thing I noticed: She puts herself under a lot of pressure (not sure if that's a cultural thing or just how she ticks). She remembered how the worst thing that ever happened to her was missing a publisher's deadline. She really beat herself up over it and described it as "all my fault" and a "bitter experience" and said that the "despair I felt when the editor said 'let's stop here' sounded like a death knell" to her. And when she went to a convention in Germany she did zero sightseeing and instead stayed at her accomodation because she had to finish the drawings for the Fei novel. She also apologized to fans for the slow progress of her work caused by her "health issues and other situations". She also says she wants to draw more erotic scenes so that the manga will be "more interesting" (she was laughing at this point).
She talks a bit about her concept for Akihito. How she wanted Akihito to be unlike some other ukes (who always need protection), she wanted him to be a rather manly uke with a backbone.
She says she often gets request for the characters or situations within the story and often tries to incorporate them from time to time, but knows she has to draw a line and be careful there not to depend to much on that or else she risks distroying the characters.
She talks in length about the earthquake/tsunami, how it affected her and her mindset (this part of the interview was really intense) and the drawings she made to commemorate the victims. Like the one with angel Akihito and Asami with a baby in his arms and another picture with Mikhail and Fei coming to Japan with bookets of roses, to morn and show their respect for the victims. You can really tell from the interview how much it affected not just her, but the entire nation, how traumatic it was.

Mmmh, the pressure I'd say steems from "artist culture" in general. She's pretty much describing what I'd feel/do in those instances.
Manga publishing is a business.
One does not simply miss a deadline. They're ultimatums. Miss it and you'll be causing trouble to your client (which probably promised that there would be a chapter from her series already in said issue, will be messing up the editorial department that will have to readjust the number of pages of the magazine etc.).
And it seems like she either procrastinated or she put way too much time in polishing her pre-production.
It's basically seen as extremely unprofessional. It's the sort of thing that can get you fired.
So I don't see how her not going sightseeing to finish her art on time is being too harsh on herself. Not giving it on time isn't really an option...
Just saying :)

I didn't say she was too harsh on herself though. Only that she seems to put herself under a lot of pressure. Which she does. Other than that, I just quoted verbatim (from the translation) what she said about it in her own words. Hence the quotation marks. :)

P.S.: I've been working in Publishing and Market Research for the past 25 plus years, so I know a wee thing or two about the power and the dread of the deadline. ;) You make some good points. And perhaps one has to read the whole interview to see what I was referring to and the overal vibe you get from it. It wasn't the pressure of the deadline as much, but rather how she deals with pressure (and criticism/feedback) and approaching deadlines. For example, she talked about how the reviews for the release of her first book weren't that favourable: "It made me quite depressed to the point where I couldn't even get out of bed. I thought to myself that I didn't want to end up like this." From the whole of the interview, it was my impression that she is both very sensible (for example, she also talked about how meeting fans at signing events brings her to tears) - but also, that she is quite the perfectionist. And sometimes perfectionists can be their own worst enemy. Like the "polishing her pre-production" part you mentioned. I think that's quite right. She seems to have a tendency to get lost in fine tuning and honing certain parts of her work at certain stages to the nth degree and as a result she is getting lost and is losing sight of the big picture, aka the looming deadline. It's a typical sign of a perfectionist, wanting everything to be absolutely (and overly) perfect and losing sight of the end goal/deadline. And of course the procrastination you mentioned is another sign commonly associated with perfectionists. ;) Some would beg to differ, but as a perfectionist myself, I know both of these aspects only to well, the tendendy to get lost in perfecting details and the procrastination. Over the years I have of course learned techniques on how to tackle and beat them. But it took some time and experience to do so. Let's just say that setting realistic, achievable goals, a good project management, a lot of discipline and getting friendly with the good ol' 70/30 solution with the occasional dash of "quick & dirty" helps. :)

Yeah, well I pin-pointed those two because I'm a perfectionist as well :P. And I did read the whole interview.
Having something that have defined steps you have to have set in stone before beginning another, that's the worst. It really is. It's not made for everyone, and I'd say it's even worst when it comes down to art.
There are ways to cope with it, especially with experience, but I believe there are some lost causes.
I'm diagnosed with ADD and Giftedness. "Twice exceptional", talk about something not easy to cope with in such a world on the emotional level. I've been diagnosed for less than two years myself, and well it has been such a life-saver to finally understand I wasn't that much of a failure after all xD.
Perfectionism is already a nightmare, add to that undiagnosed ADD (with enough IQ so that it can't be clearly discerned), you're getting into horror movie level ._.
Like, as a perfectionist, without an extremely well organisation it's extremely easy to do more than necessary. By spending so much time in doings things perfectly, other priorities get pushed aside.
And when the deadlines loom and you're anxious you're not going to make it, people typically have that going in their mind:
Option A – I’ll just have to muscle through this. I don’t really have a choice now.
Option B – Well, I could fess up that I can’t really do it.
Option C – I can’t deal with this now. I’ll think about it later… Right now there is other stuff I have to do!
Option D – I guess I could get some help.
Option E – There has to be another option, right?!
But of course, to the perfectionist (especially without much experience), the only right answer is A. With medication, which personally seems to be the only way to cope with it, I get a much clearer thinking and include the rest of them as actual possibilities aha.
See, my perfectionism was fueled by the failures I lived because of ADD. Like, you know you clearly have the capabilities, but you couldn't, which is extremely frustrating. When you don't know the reason, that's when people make the assumption and tell you you're lazy, etc. and that gets to you. I kind of went on a "Got to work harder then! Who cares about sleep and eating!" mode for a few years.
Personally, I simply got the hint I wasn't made for production. Actually, anything I can't come back a few steps to relieve my perfectionism without destroying everything else. So post-production it is :). The workflow fits me so damn well, and as an artist I was exceptional in image composition, discerning everything that feels wrong down to small details.
Let's just say, I've actually more than once destroyed international competition by sending clearly unfinished demo reels (deadlines... xD).
Oh, and over-sensitivity is also linked to Gifteness as well as ADD. Basically, the overexcitability of all senses.
I kind of relate to that quote, here's in a nutshell:
"The truly creative mind in any field is no more than this: A human creature born abnormally, inhumanely sensitive. To them... a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, a lover is a god, and failure is death.
Add to this cruelly delicate organism the overpowering necessity to create, create, create -- so that without the creating of music or poetry or books or buildings or something of meaning, their very breath is cut off...
They must create, must pour out creation. By some strange, unknown, inward urgency they are not really alive unless they are creating."
Now now, not saying you have to be highly sensitive to be a great artist necessarily, that I can't pretend to be knowledgeable about that (though I'd say it helps).
Bottom line, I wonder how much sensei actually could be living the same things. She's the only mangaka I know that the volumes are that much different from the magazine releases. I really do wonder if on top of her perfectionism there's not something else... Because she clearly sends such signs, in my perspective.

I want to go to the Finder Cafe but I live so far away. ╥﹏╥
https://pbs.twimg.com/media/CpP0kRZUIAAf5rI.jpg

omggg ididnt know there was such a place i wanna go tooo (づ ̄ ³ ̄)づ
I like how Sensei took her time and developed the story in a natural way. It's rare to find Yaoi like this. The first volume is really strong I thought. The characters feel authentic and the things they are going through seem real. However, the second volume could have been better. I thought it was anticlimatic when they just kissed at the first chapter. I remember that the seme had qualms in pursuing a relationship with the uke so I thought it would be more natural even if he held back just a little in the first chapter of the 2nd volume. Then he could have just exploded and followed his heart. The last volume is mostly good since they are finally together at the end but how it happens felt forced for me. And their idiocy was quiet unbelievable. I have a feeling if they weren't as idiotic then they could have been together earlier. However i understand that if they werent idiots then there wouldnt be a story here. But i think how Sensei incorporated that to the story could have been better as well. Still it's a good slow paced manga. In a pile of yaoi where in the 1st chapter there's already sex, there is one of these kind of yaoi that is seemingly real and the raw emotions it portray is impactful.
Btw im so happy the art was improved.