Besides the return of Hayden and Brett, there are some moments I absolutely adore and how the author tackles them :
1. How the husband of main actress calls her while she's working and he's taking care of their baby and doing housework and being supportive to her.
2. How Hayden draws a clear line to Joel when he tells him to come to his place. Even though Hayden is friendly and approachable, he's serious and somehow weary.
3. The director and Joel discussion ... It just adds seriousness and layers to their characters (even if we've only seen glimpses of them). But the author doesn't simplify it as "my husband cheated on me with you".
Absolutely adore it. It's a summary of the whole essence of the manhwa.
Two parallels in the chapter. First, Brett with Emma. They have been together for x time, yet she's only seen a "normal" funny, gentle side of him. He has been social masking with her throughout it all (and it seems like she's the one who broke up with him)
Yet as soon as he sees Hayden, it takes no time for him to really show who he is, the real Brett, aggressive, controlling, sarcastic and almost animalistic.
The art was amazing, some panels of Brett and Hayden ... Ugh
And the ending ? "Coward" ... We just need next chapter now.
I adore the author's works, Hate Mate, Merry Go Round ... And when this new started, I was hyped to the top with the amazing art, the creative colors and the unique characters
But what's happening now??? It feels like a new plot direction was imposed starting chap 20 or so ... And now this? It feels forced upon the plot, I felt more annoyed by the whole writing instead of feeling disgust from the terrible scene.
Well ... I hope it gets better







Kinda curious with the premise. But what's with the awkward dance inside the subway?