Everyone can probably agree that the protagonist is self indulgent, shallow in her perspective of relationships, and doesn't care about the magnitude of her actions. That saying, the story has it's strengths... mostly in the "side characters" of the man & woman she is cheating with and the editor, it's the conversations with the editor, no matter how tediously introspective are where you gain insight. The character cheats on her straight male partner, with a lesbian.... and cheats on her lesbian partner with a straight male when it comes down to it. Yamaji Ebine stands out in a wave of yuri that panders to male fantasies, the art is refreshing, the characters mature, but in the end the protagonist seemed more suited to be with her editor, as opposed to her long suffering boyfriend who she based her relationship just on sex, or her new lesbian partner who she also mostly views as just sex based.
Everyone can probably agree that the protagonist is self indulgent, shallow in her perspective of relationships, and doesn't care about the magnitude of her actions. That saying, the story has it's strengths... mostly in the "side characters" of the man & woman she is cheating with and the editor, it's the conversations with the editor, no matter how tediously introspective are where you gain insight. The character cheats on her straight male partner, with a lesbian.... and cheats on her lesbian partner with a straight male when it comes down to it. Yamaji Ebine stands out in a wave of yuri that panders to male fantasies, the art is refreshing, the characters mature, but in the end the protagonist seemed more suited to be with her editor, as opposed to her long suffering boyfriend who she based her relationship just on sex, or her new lesbian partner who she also mostly views as just sex based.