They’re both acting like children, especially Ahn Yiyoung. Despite the misunderstandings, you’re supposed to communicate and get into the middle ground of things. That’s what WALK ON WATER DID RIGHT. I thought I was the only one getting tired of the endless drama when both parties refuses to just listen for once. Also not everyone likes slowburn, I personally like it—BUT if the plot shows no progress at all how do you suppose your audience will keep reading?
They’re both acting like children, especially Ahn Yiyoung. Despite the misunderstandings, you’re supposed to communicate and get into the middle ground of things. That’s what WALK ON WATER DID RIGHT. I thought I was the only one getting tired of the endless drama when both parties refuses to just listen for once. Also not everyone likes slowburn, I personally like it—BUT if the plot shows no progress at all how do you suppose your audience will keep reading?