I love how Yena and Myeong are so similar yet different. 1. While they may be actresses, but they don't have someone to actually love and to be actually loved. - Ik Myeong's with the white guy but i still feel iffy about their relationship since the white guy seemed to be obsessed with yeon's image captured within his dead brother's photograph and Myeong was also just desperate to have someone to hold her. Yeah their relationship is progressing into an actual one but rn i'm just not 100% not convinced. 2. Both of their reasons to be actresses are because of someone else - For now i can see that Myeong started to love acting as it is but initially she started to act because of her father anyways.
And yet, they're so different with how they treat their acting careers. Myeong learn to grow herself more....for herself. She learns more about herself and also acting skills by these arcs. While Yena grow herself only to spite Myeong, she doesn't add any intrinsic value to herself. That's why when her acting career's gone, there's nothing left of her.
Also about Yena's recent arc At first i felt cathartic knowing Yena got her karma. But like at the same time, it felt so.....vain? It's like just because Myeong started to move on and Yena has now fulfilled her role as the villain in this arc, she should experience something bad just to make sure the villain won't have any chance to threaten Myeong's status quo. I mean yeah the author is currently doing good job in fleshing her final hurrah before we can move on to next arcs but like she could suffer by her past actions instead of just petty stuff like drink-and-drive (not underestimating the seriousness of the actual crime) but it just seemed so unrelated to her acting career, like acting is the core theme here. What if make her feel empty instead. Knowing Myeong could do on her own without feeling inferior to Yena would make her feel like "all this time i want to crush you especially with acting, the thing that you love. And now i can't even do it anymore?". Like make her feel like she doesn't even know why she act in the first place if she doesn't have any effect in Myeong and Director anymore. Like maybe she started to lose focus on her acting and somehow people also feel like Yena's not into it anymore and people stopped paying attention to her.. Like idkkkkk it's just i don't feel like drunk and drive is the correct punishment for her when there could be many more alternatives that could suit her more.
Disclaimer, I don't sympathize with her. it's just that i feel like if you want to flesh her out more as a character rather than plain villain, then at least make her departing from this story interesting
I love how Yena and Myeong are so similar yet different.
1. While they may be actresses, but they don't have someone to actually love and to be actually loved.
- Ik Myeong's with the white guy but i still feel iffy about their relationship since the white guy seemed to be obsessed with yeon's image captured within his dead brother's photograph and Myeong was also just desperate to have someone to hold her. Yeah their relationship is progressing into an actual one but rn i'm just not 100% not convinced.
2. Both of their reasons to be actresses are because of someone else
- For now i can see that Myeong started to love acting as it is but initially she started to act because of her father anyways.
And yet, they're so different with how they treat their acting careers. Myeong learn to grow herself more....for herself. She learns more about herself and also acting skills by these arcs. While Yena grow herself only to spite Myeong, she doesn't add any intrinsic value to herself. That's why when her acting career's gone, there's nothing left of her.
Also about Yena's recent arc
At first i felt cathartic knowing Yena got her karma. But like at the same time, it felt so.....vain? It's like just because Myeong started to move on and Yena has now fulfilled her role as the villain in this arc, she should experience something bad just to make sure the villain won't have any chance to threaten Myeong's status quo. I mean yeah the author is currently doing good job in fleshing her final hurrah before we can move on to next arcs but like she could suffer by her past actions instead of just petty stuff like drink-and-drive (not underestimating the seriousness of the actual crime) but it just seemed so unrelated to her acting career, like acting is the core theme here. What if make her feel empty instead. Knowing Myeong could do on her own without feeling inferior to Yena would make her feel like "all this time i want to crush you especially with acting, the thing that you love. And now i can't even do it anymore?". Like make her feel like she doesn't even know why she act in the first place if she doesn't have any effect in Myeong and Director anymore. Like maybe she started to lose focus on her acting and somehow people also feel like Yena's not into it anymore and people stopped paying attention to her.. Like idkkkkk it's just i don't feel like drunk and drive is the correct punishment for her when there could be many more alternatives that could suit her more.
Disclaimer, I don't sympathize with her. it's just that i feel like if you want to flesh her out more as a character rather than plain villain, then at least make her departing from this story interesting